Conn Service & Owners Manuals 144 Elec. Pipes 145 Elec. Pipes 146 Elec. Pipes 175 Electric Band 240 Starduster 255 Elec.

Pipes 256 Elec.

The Conn Electric Organ THE CONN ELECTRONIC ORGANS by Frank Pugno (Updated 14. 08) Fig One: Anton Stormlund playing the Conn 651 at his Organ Museum in Denmark. Fig Two: Close-up of the three-manual organ Fig Three: A Conn Classical 621F, a vintage musical instrument. Luca Visual Fx Keygen Idm. Conn, a noted Indiana figure and politician, founded C.

In 1875 in Elkhart, Indiana. The company became famous for their quality line of fine band instruments. They manufactured their first electronic organ, the 2-D Connsonata, in 1947. Their first commercially successful organ was produced in 1951. In 1955, the Artist model was introduced as the Model 700. This instrument had two 61-note manuals and 25 pedals. The manual stops were all at 8’ pitch and produced octave and mutation pitches through a plentiful supply of couplers.

Owners Manuals: Service Manuals. 551 Theatrette: 552 Theatrette: 554 Trinidad. Email for a price and availability on any service or owners manual. Organ Service Corporation's. Conn Custom Three Manual Theatre Organ. CONN PARTS CATALOG The world's Only Source for Conn, Kimball, Lowrey and Thomas Parts and Manuals.

This made the Model 700 somewhat a harmonic synthesis organ. There were separate tremolo oscillators for each manual, and they both ran at different speeds. This was the organ that Ken Griffin used on some of his last recordings. To my knowledge, he recorded five songs on the Conn organ; they were Elmer's Tune, Side by Side, Louise, The Blonde Sailor and Sunday. Conn later revised the Artist from the ground up and made it a 32-pedal organ with conventional stop control. Conn used an independent tone generator for each note and employed special keying circuits to slow down slightly the attack of the notes, imitating the lag of a pipe organ. This intentional slow attack and bold voicing of the Conn organ produced an instrument that bore an uncanny resemblance to a pipe organ for purchasers in the mainstream commercial market.

The Conn organ was famous for its string tone; if you closed your eyes, you’d think a real violin was playing. As the years progressed, so did Conn, and many features that the home organist wanted were also included, such as Chimes, Piano, Sustain, Repeat Percussion and much more.

There were also exclusive features unique to Conn, such as Stereo Expression Pedal, Phantom Bass and Calliope Tuning. They even had sets of electronic pipes, which were actually speakers that could be attached to any model. Conn was a popular and formidable competitor in the electronic organ market. They produced organs of every size for every need from the small spinets Caprice and Minuet, to the mammoth Model 651 3-manual theatre organ pictured on this page, and every step in between. There were home and theatre spinets (the Theatrette (one version was a 3-manual spinet!), home and theatre consoles (the 643 theatre model is seen here in the Evangelical Spiritual Church, Cicero, Illinois; this organ has been replaced), church and theatre concert models ( Classic (800 series), 650, 651, 652, 653). The 650 series were all 3-manual theatre organs.

They also made 3-manual church organs and custom-built organs. Don Baker played on Conn when a theatre pipe organ was not available and was a representative for them. Don Kingston also represented Conn. George Wright recorded two albums on the Conn organ as well. In the late 1960s, Macmillan & Co., a publisher of textbooks for school use, purchased the Conn Organ Company. This transaction did not include the rest of the Conn operation, which continues to operate today continuing the great tradition of Conn band instruments.